Approach to Herzog’s ecstatic truth: Haptics, bodily empathy and memory

  • Jingwen Chen The university of Edinburgh, Edinburgh EH8 9YL, United Kingdom
Article ID: 445
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DOI: https://doi.org/10.18282/inm.v5i1.445
Keywords: haptic visuality; the viewer body; the embodied subject; ecstatic truth; affect in cinema

Abstract

Approached from a phenomenological perspective, this dissertation aims to develop a better understanding and stress the importance of haptic visuality, which renders critical implications related to the exploration and generate a fresh insight of the ‘ecstatic truth’. Based on the engagement with the sensuousness of Herzog's The land of Silence and Darkness, this paper interprets the haptic visuality, embodiment, and kinaesthetic empathy of Herzog’s documentary, thereby advancing the phenomenological understanding of “Ecstatic truth”.

Published
2022-08-25
How to Cite
Chen, J. (2022). Approach to Herzog’s ecstatic truth: Haptics, bodily empathy and memory . Insight - News Media, 5(1). https://doi.org/10.18282/inm.v5i1.445
Issue
Vol. 5 No. 1 (2022)
Section
Articles

Copyright (c) 2022 Jingwen Chen

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

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